I have this setup: my scene image

The mesh is only the visible top side, with a mirror modifier for the bottom part. Now I want to unwrap it like in the picture. I want the inner circle (red) to go to the top of the UV map...

The problem is that no matter what automatic unwrapping I use, it never works as intended. The closest I've gotten was by using "follow quads", but that skewed the UV map a lot: enter image description here

I used the result from the second image and manually adjusted the vertices with a lot of scaling and "align auto", but its very far from perfect as you can see in the first image.

Here's what I want exactly:

  • The uv vertices should be distributed evenly (horizontally)
  • The middle line (yellow) should be on a "natural" y height (so there's no stretching)

I hope it's clear what I want to achieve. I'm sure there must be some automatic way to perfectly align and distribute the UVs in this way.

By the way: If you look closely you can see that I already placed a uv seam (aligned with the green y axis in the screenshot) but that didn't really help.

  • $\begingroup$ I know this is old but I feel like you should not introduce stretching by scaling on a single axis in the UV space. You want to achieve consistency in your texels. When you stretch the UVs you also stretch the pixels of the texture which you want to be projected on to your model. This will introduce all sorts of issues and painting it won't work anymore. May I ask why you want to stretch it? $\endgroup$ Mar 22, 2019 at 10:41
  • $\begingroup$ It was a simple mesh for a shockwave effect in a game. The coords make it easy to work with (and no wasted texture space. I can just modify the gradient (the texture that will end up on this geometry later) in Photoshop and I know it will look right. $\endgroup$
    – Riki
    Mar 23, 2019 at 3:59

1 Answer 1


Follow Active Quads is indeed the best automatic preset to use in this situation, however its use is slightly nuanced, and until recently I didn't know how to properly use it myself.

Start by erasing your existing UV Map from the Properties Window > Object Data > UV Maps, so you can start afresh.

Select one random face, any four sided face will do, and unwrap it using the basic U > Unwrap > Reset option so it is unwraped as a perfect square.

This will also make it the nominal active quad, only then can the Follow Active Quads option be used since it will use the active face's coordinates to unwrap the remaining mesh.

Now select all faces and unwrap them using U Unwrap > Follow Active Quads, should yield an even quad orthogonal grid.

Afterwards if you wish to make it fit inside de [0,1] UV space then either scale it down until if vaguely fits inside the image area, turn on UV > Constrain to Image Bounds and scale it up manually; or use the operator UV > Pack Islands to automatically fit maintaining proportions.

Follow Active Quads

  • $\begingroup$ And what would be the best way to fit that result perfectly into the uvmap square? Do I just use the scale tool a lot until it sorta kinda fits, or is there some way to make it so the UI edges touch the edges of the UV texture? And if scaling manually is the way to got, then is there some way to at least make sure the result is "pixel perfect". Will try the trick with reset as soon as I'm at home :) $\endgroup$
    – Riki
    Feb 20, 2017 at 13:30
  • $\begingroup$ Either use Pack Islands or Constrain to Image bounds, answer updated. $\endgroup$ Feb 20, 2017 at 17:09
  • $\begingroup$ Thank you, Duarte: until now, the Follow Active Quads option was a total mystery to me. After reading your explanation, I have used it successfully to get UVs aligned, where the "Magic” add-on should have done the trick. Unfortunately, the “Magic” add-on consistently crashes on me (Blender 2.80 and 2.81, recent builds). $\endgroup$
    – Tom Telos
    Oct 3, 2019 at 18:10

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