I really want to make an animated short film, but this is the first time and I don't know if I should make the music first or the film.


2 Answers 2


By short animated film I assume it is story driven and that there might be dialog.

The process is this:

  1. write the script (with dialogue)
  2. create storyboard, mood, concept art
  3. record dialogue with video reference of that performance
  4. select Temp music based on script and mood
  5. animate based on script, storyboard, dialogue audio, temp music
  6. compose real music and replace temp music, add sfx

In more detail you can read Pixar's Animation Process.

Why is it like this:

I will skip how script and storyboard is important, the question is not about these.

It is way way easier to animate facial and body expressions if you have dialogue and actor reference as source.

The final camera motion, animation and film cuts are also good sources for the music. However it is easier to cut footage to music than to cut sound to video. The reason is music has rhythm, which the footage might initially not correspond. Speeding/slowing footage and cutting it is easier than doing it with sound.

You solve this paradox by using Temp music, which is just some music already created, that you "steal" and use as reference to time your animations and to use as temporal guide for mood.

This temp music makes it a bit easier to get inspired for flow, mood and timing while animating (similar as with the dialogue audio). But it is no deal breaker if no temp tracks are used.

Making the actual music/score is the last step in creating animated short film.

On a side note:

It is by all means also possible to skip the Temp music part, and source all the flow and mood for animating directly from script and storyboard. The music is then inspired by the visuals (mood-board/story-board) and story emotions (animation/script) and is less restricted.

Temp music can be controversial, because your final score might sound like a knock-off. Because of this, it might be good to change the tempo or roughly re-mix the source for using as temp track.

More matter to watch:

Temp music from composer's point of view: video here

Temp music in film: video here

  • $\begingroup$ Well the film doesn’t have any dialogue because i don’t have any actors so music will fill in the dialogue or talking place $\endgroup$
    – Jake
    Commented Mar 30, 2018 at 17:31

That entirely depends on what kind of short film you do.

  • If it's a music video or a film where the music is the primary element, then do the music first.
  • If it's story driven, then you build the story first and support the story with the music.

Unless you do something amazingly new, just ask yourself: Which part of your idea is the boss? If it seems like you will take a few decades to decide, either flip a coin or do both versions.

And in the end, if it's a small film and you fill all the positions yourself anyway, it can very well be that you work in both areas simultaneously. Because you start working on the movie after you have finished planning it. Which means script, storyboard and crappymatics and sound.

example: Last time in Clerkenwell


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